Professional Insitute for Educators Courses
Courses listed below are for non-matriculated students ONLY.
| Course | Instructor | Dates + Times | Location | Credits + Fees |
|---|---|---|---|---|
|
Foundation of Arts Integration VPAS 500NM 01 |
PIE Faculty |
|
UArts |
|
|
Brain based research indicates that integrating arts learning into the curriculum assists learners in the full acquisition of new knowledge. This course builds on educators existing knowledge base in the arts and teaches them to apply current research techniques and strategies to the development and implementation of their arts curricula. Educators study the research about arts learning and how it can increase the likelihood that students will acquire a deeper understanding of content and develop higher retention levels. View Full Course Details |
||||
|
Glass for the Classroom VPAS 525NM 01 |
Benjamin Wright |
|
UArts |
|
|
Explore an overview of basic glass techniques as an introduction to this material. Hands-on projects include fusing and slumping (bending), flamework and introductory glassblowing. Those new to glass discover the technical aspects of working in both the hot and cold shops and discuss types of glass to use, the compatibilities of glass, annealing schedules and using sheet glass with powdered frit. Content applicable to K-12 classrooms, particularly to expand knowledge of 3-D concepts. Open to all teachers with interest in glass, no previous experience required. View Full Course Details |
||||
|
Interactive Whiteboard Tech. ED 7055 01 |
Kristen Ferrari |
|
UArts |
|
|
Learn techniques to maximize and integrate interactive whiteboards (IWB), including SMART Board and Promethean ActivBoard models, as a learning and teaching tool for the classroom. Discover methods to tie Internet resources, PowerPoint, Notebook and other technologies into interactive activities and exercises. Discussions consider implementation of this tool within existing curricula. Focus on exploring new methods and best practices to engage students effectively across a range of subject areas. Participants should bring some existing resources to create focused interactive lessons. Students must bring their own laptop to this class in order to develop integrated projects with the whiteboard technology. View Full Course Details |
||||
|
Monoprinting, Advanced VPAS 527NM 02 |
Rosae Reeder |
|
UArts |
|
|
This class addresses advanced image making through printmaking media such as relief, monoprinting and collographs. Create images by drawing/painting directly on the plate or by working from a sketch. The creative process is analyzed at every point, with an emphasis on creating a series of thematic work. Techniques covered include printing with water-based inks and multiple colors as well as working with non-traditional presses that can be used in a variety of classroom settings. Prerequisite: (VPAS 526) Printmaking for the Classroom: Monoprinting, Introductory View Full Course Details |
||||
|
Monoprinting, Introductory VPAS 526NM 02 |
Rosae Reeder |
|
UArts |
|
|
This class addresses image making through basic printmaking media such as relief, monoprinting and collographs. Create images by drawing/painting directly on the plate or by working from a sketch. The creative process is analyzed at every point. Techniques covered include printing with water-based inks and multiple colors as well as working with non-traditional presses that can be used in a variety of classroom settings. View Full Course Details |
||||
|
Paris+Japan:Influence on Art ED 812 01 |
Susan Rodriguez |
|
UArts |
|
|
The wave of Japanese woodblock prints that flooded into Paris in the 19th century brought new ways of seeing to Western art. This course examines the profound aspects of the Japanese influence on European art through the study of master artists and their techniques in both cultures. Key figures such as Hiroshige, Utamaro, Sesshu and Hokasai are considered for their contributions to the work of Monet, Cassatt, Degas, Manet, Van Gogh, Gauguin and Toulouse-Lautrec. The extensive Asian and French 19th century collections at the Philadelphia Museum of Art serve as a central means of study. Course content applies to a range of subject areas, including visual arts, history, multicultural studies and the humanities at all grade levels. A visit to the Shofuso Japanese Teahouse in Fairmount Park is planned. View Full Course Details |
||||
|
TI:ME 1A Basic Skills Music MTEC 500NM 01 |
Michael Fein |
|
UArts |
|
|
This course imparts practical skills and knowledge to in-service music teachers to allow them to integrate technology effectively into teaching and learning. Covering basic skills in music notation software, music production software and use of electronic musical instruments, participants learn the basics of MIDI theory and notation and explore many ways to incorporate these tools into the curriculum. Participants gain the necessary knowledge to make critical judgments about the appropriateness of selected music hardware and software for particular educational applications. This course fulfills the first half of the TI:ME Level 1 certification requirement. View Full Course Details |
||||
|
TPS - American Music + Curr. UTPS 501NM 01 |
Elizabeth Sokolowski |
|
UArts |
|
|
Featuring live music, hands-on activities and engaging exercises to use with students, this course focuses on the use of the digital archives of the Library of Congress to effectively and thoroughly plan, prepare and design lessons incorporating 20th century American music, particularly jazz and its influences, into the curriculum. Beginning with the digital archives, develop the ability to access musical resources to provide a multi-sensory approach to teaching historical content through a creative arts perspective. Participants are engaged in the exploration and appreciation of jazz music and the significance of jazz in American history and society - from tradition to innovation. K-8 teachers design a unit of study relevant to their interests and current classroom curricula, creating musical connections to American history and culture to enhance student learning. View Full Course Details |
||||
|
TPS - American Music + Curric ED 8134 01 |
Elizabeth Sokolowski |
|
UArts |
|
|
Featuring live music, hands-on activities and engaging exercises to use with students, this course focuses on the use of the digital archives of the Library of Congress to effectively and thoroughly plan, prepare and design lessons incorporating 20th century American music, particularly jazz and its influences, into the curriculum. Beginning with the digital archives, develop the ability to access musical resources to provide a multi-sensory approach to teaching historical content through a creative arts perspective. Participants are engaged in the exploration and appreciation of jazz music and the significance of jazz in American history and society - from tradition to innovation. K-8 teachers design a unit of study relevant to their interests and current classroom curricula, creating musical connections to American history and culture to enhance student learning. View Full Course Details |
||||
|
TPS - Photo,Identity + Images UTPS 503NM 01 |
TBA |
|
UArts |
|
|
Photography has always been a democratic medium and virtually anyone can make a photograph, but learning how to read images and understand what they tell us about ourselves and others is often overlooked. Participants learn how to use the digital archives of the Library of Congress to prepare lessons for the classroom that incorporate concepts of visual literacy. Participants examine how photography influences identity and how it can be used as a teaching tool in grades K-12. Course activities include field trips for an insider's look into local archives and museums and hands-on photographic projects. Content is appropriate for a range of subject areas as connections to social science, identity, expression and literacy are explored. View Full Course Details |
||||
|
TPS - Photo,Identity + Images ED 8133 01 |
TBA |
|
UArts |
|
|
Photography has always been a democratic medium and virtually anyone can make a photograph, but learning how to read images and understand what they tell us about ourselves and others is often overlooked. Participants learn how to use the digital archives of the Library of Congress to prepare lessons for the classroom that incorporate concepts of visual literacy. Participants examine how photography influences identity and how it can be used as a teaching tool in grades K-12. Course activities include field trips for an insider's look into local archives and museums and hands-on photographic projects. Content is appropriate for a range of subject areas as connections to social science, identity, expression and literacy are explored. View Full Course Details |
||||
|
TPS - Poster + Print: WPA UTPS 504NM 01 |
Mary Tasillo |
|
UArts |
|
|
Of the 2,000 Works Progress Administration posters known to exist, the Library of Congress' collection is the largest. These striking silkscreen, lithograph and woodcut posters were designed to publicize health programs, cultural programs, theatrical and musical performances, travel, educational programs and community activities throughout the United States. The posters were made possible by one of the first U.S. Government programs to support the arts and were added to the Library's holdings in the 1940s. In this course, learn about the WPA and its mission as well as the connections to history, art, social science and visual literacy that can enrich your teaching. Participants learn about this time period, the power of design to communicate and how to use visual primary sources to engage students. Including hands-on printmaking and design studio exercises, mural tours, museum visits and more, use the digital archives of the Library of Congress to prepare lessons based on these powerful historic images. Content is appropriate to a range of subject areas as connections to social science, history, material processes and literacy are explored. View Full Course Details |
||||

